Austria Hotels Travel :: Carlo Scarpa: Architecture and Design


Carlo Scarpa: Architecture and Design

Carlo Scarpa: Architecture and Design
Average Customer Rating: Average rating of 3.5/5Average rating of 3.5/5Average rating of 3.5/5Average rating of 3.5/5Average rating of 3.5/5

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Manufacturer: Rizzoli

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Binding: Hardcover
Dewey Decimal Number: 720
EAN: 9780847829118
ISBN: 0847829111
Label: Rizzoli
Manufacturer: Rizzoli
Number Of Items: 1
Number Of Pages: 320
Publication Date: 2007-02-13
Publisher: Rizzoli
Release Date: 2007-02-13
Studio: Rizzoli

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Editorial Reviews:

Carlo Scarpa was a virtuoso of light, a master of detail, and a connoisseur of materials. Today he is known as a 20th-century master of architecture. To mark the first centenary of Scarpa's birth, all his works are presented here for the first time. The 250 illustrations cover all 58 of his structures, including the Castelvecchio Museum (Verona), the Olivetti showroom (Venice), and the Brion Tomb in San Vito d'Altivole (Treviso), as well as his important glass designs. The book includes essays by leading architects and architecture critics, offering an extensive overview of Scarpa's life as well as interpretations of his architecture. Known as the "Frank Lloyd Wright of Italy," Scarpa's decorative style has become a model for architects wishing to revive craft and luscious materials in the contemporary manner.


Spotlight customer reviews:

Customer Rating: Average rating of 1/5Average rating of 1/5Average rating of 1/5Average rating of 1/5Average rating of 1/5
Summary: Disappointed
Comment: About this great architect I adore,I have seen some books such as , and in the libraries. Last month I bought it for collection.But after reading it,I was so disappointed.There is not any detail, sketch,even a section,which you really want to know. The contents of the books will be found from Internet. if you never know him ,the book is just so so.But as a professional Architects, I commend the other three books .

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: Buy this book. Period.
Comment: Excellent coverage of Scarpa's work. There are great shots of Scarpa's intricate detailing as well as shots expressing his space making abilities. Scarpa combined the spirit of the international style, the warmth of Finish modernist materiality, and the passion of Italian arts and crafts tradition. He was a modernist with heart. One of the men listed in the acknowledgements gave my studio group a tour of some if his best works in northern Italy including the Brion tomb. The man cried during his lecture. Scarpa brought heart to a building aesthetic that seems largely sterile when comparing his contemporaries on the other side of the Alps. I hope this book popularizes this truely skilled architect and draws greater attention to what he accomplished during his career. This book is pertinent to anyone interested in architecture, interior design, or decorative arts. His genious was as much in the process of design as it was in the completed product. He developed decades long relationships with builders and craftsmen. Buy this book and spend hours studying every detail in the photos. You are going to learn something. You might even shed a tear after leaning how he passed away.

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: Filling the gaps
Comment: This book fulfills the promise that "Carlo Scarpa: The Complete Works" did not deliver in that it is a very complete survey of Scarpa's built work. Among the things the book does very well includes the photography, which even of works as well documented as the Brion Cemetery and the Castlevecchio, shows very different angles than what has typically been seen elsewhere. I also really appreciate the inclusion of diagrams indicating from where the images are taken.
The book is structured as a chronological survey of Scarpa's work, with accompanying text explaining the brief history of the project, Scarpa's involvement (often done as a collaboration or in the case of posthumously completed buildings, the people involved), as well as the structure's current condition (to the extent of showing the Venezuela Pavilion's shocking dilapidation in hopes of spurring a restoration).
I only hope that this book provokes enough interest in Scarpa's work that a comprehensive book on his drawings is produced.


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